{"id":1688,"date":"2019-01-08T21:16:51","date_gmt":"2019-01-08T20:16:51","guid":{"rendered":"https:\/\/www.fundacionamalio.com\/?page_id=1688"},"modified":"2021-04-15T10:48:47","modified_gmt":"2021-04-15T08:48:47","slug":"the-landscapes-of-amalio","status":"publish","type":"page","link":"https:\/\/www.fundacionamalio.com\/index.php\/en\/the-landscapes-of-amalio\/","title":{"rendered":"The Landscapes of Amalio"},"content":{"rendered":"

[vc_row sy_vc_row_extra_padding=\u00bb2″ css=\u00bb.vc_custom_1544443123033{margin-top: 50px !important;}\u00bb][vc_column][tw_section_title title=\u00bbThe Landscapes of Amalio\u00bb st_tit_font_size=\u00bb60″][vc_column_text]<\/p>\n

Another of the areas in which Amalio stood up was the landscapes, in which the light, as well as in his portraits, acquires a great importance.<\/p>\n

Amalio had a humanized view of the landscape, and he used to say:<\/p>\n

\u201cThe symbiosis between the earth and the man who inhabits it, Nature without men, that is, without history, would be reduced, at best, and from my point of view, to a simple aesthetic contemplation\u201d.<\/em><\/p>\n

Behind the figures of Amalio, there is always a landscape of whitewashed houses from Andalusian villages or from cities such as Granada and Seville to balance and form the painting, as the great Renaissance painters did.<\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

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